特別嘉賓許富凱與灣聲樂團同台，讓管弦樂與台灣歌聲在同一個舞台上產生很自然的連結。
Chinese
這次參加聯發科與灣聲樂團 2026 公益音樂行腳「台灣共鳴」演出， 對我來說有兩個很深的感受。第一，是音樂如何跨過城市與距離， 把台灣不同地方的人連在一起；第二，是第一次走進屏東演藝廳， 感受到一個地方文化空間真正被點亮時的力量。
灣聲樂團的演出有一種很特別的溫度。它不是只把曲目演完，而是把台灣的旋律、 記憶與土地感放進管弦樂的聲響裡。當特別嘉賓許富凱站上舞台，歌聲與樂團之間 形成一種很自然的對話，也讓「台灣共鳴」這四個字變得更具體。
企業支持公益音樂行腳，意義不只是贊助一場演出，而是讓文化資源走到更多城市， 讓不同地方的人都有機會接觸高品質的音樂現場。這種投入，對台灣文化的長期累積很重要。
English
Attending MediaTek and OneSong Orchestra's 2026 charity music journey, Taiwan Resonance, left me with two strong impressions. First, music has a way of crossing distance and connecting people across different parts of Taiwan. Second, visiting Pingtung Performing Arts Center for the first time made me feel how powerful a local cultural space can become when it is fully alive.
OneSong Orchestra's performance carried a distinctive warmth. It was not simply about performing a program; it was about placing Taiwanese melodies, memory, and a sense of place into orchestral sound. When special guest Hsu Fu-kai stepped onto the stage, his voice and the orchestra created a natural dialogue, making the idea of "Taiwan Resonance" feel concrete and present.
Corporate support for a charity music journey is more than sponsorship of a concert. It helps bring cultural resources to more cities and gives people in different places access to high-quality live music. That kind of commitment matters for the long-term cultivation of Taiwan's cultural life.
EVENT NOTES
- 聯發科與灣聲樂團 2026 公益音樂行腳「台灣共鳴」
- 特別嘉賓許富凱與樂團同台演出
- 第一次走進屏東演藝廳，留下很深的地方文化印象
- 公益、企業支持與台灣音樂在同一場演出中交會
Chinese
我一直覺得，一個社會的進步不只看產業和資本市場，也要看文化如何被保存、 被重新演繹，並且被帶到更多人的生活裡。這場「台灣共鳴」讓我看到科技企業、 音樂團隊、地方場館與觀眾之間，可以形成很好的循環。
屏東演藝廳的夜晚也讓我印象很深。建築在燈光下顯得安靜而明亮，走進場館後， 舞台上的樂器、座椅與布幕都在等待聲音開始。第一次到這裡，感覺不只是參加一場音樂會， 也像是重新認識屏東這座城市的文化表情。
音樂會結束後，留下來的不只是旋律，也是一種提醒：台灣的力量有很多種， 有科技、有產業、有資本市場，也有這種從土地與聲音長出來的文化共鳴。
English
I have always believed that a society's progress is measured not only by industry and capital markets, but also by how culture is preserved, reinterpreted, and brought into people's everyday lives. Taiwan Resonance showed how a technology company, an orchestra, a local venue, and an audience can form a meaningful cycle together.
The evening at Pingtung Performing Arts Center also stayed with me. Under the lights, the building felt quiet and bright. Inside, the instruments, chairs, and stage banner seemed to be waiting for the sound to begin. Visiting for the first time felt like more than attending a concert; it felt like discovering another cultural expression of Pingtung.
After the concert, what remained was not only the melody, but also a reminder: Taiwan's strength takes many forms. It is found in technology, industry, and capital markets, but also in the cultural resonance that grows from land, memory, and sound.
